This past Thursday, I attended a lecture that marked the 75th
Anniversary of Kristallnacht in the Numen Lumen Pavilion. Brian Nedvin, tenor, a voice professor and scholar of
Holocaust-era music at Old Dominion University, presented “Music and the
Holocaust” through the use of music, personal stories and visuals. Nedvin was
able to use different languages such as Yiddish, Hebrew, English and German in
order to create a more complete picture of the terrible events of the Holocaust.
Going into this lecture, I was unsure how the
lecturer would incorporate the music element into the delivery of the message.
Nedvin’s idea was to show the audience another side of the event, a more
personal, real side of the Holocaust since the majority of the talk surrounding
the event is impersonal and removed. The two main elements that helped achieve
this goal was the use of specific stories of people in the Holocaust and the
music written by those affected by the event.
Photographs that helped the audience match the
name to a face that actually went through the experience accompanied these
personal stories. When talking about each of the individuals, Nedvin was able
to make each of the individuals stand out from each other and pull at the
heartstrings of the audience. The stories helped make us as the audience
connect to the issue at a more personal level and feel compelled to change our
perspective of the event as a whole.
The musical element is what struck a chord
with me as a member of the audience (too punny). The speaker had a strong tone
to his voice and he was able to make the songs come alive. Listening to the
music, the audience was transported back in time and felt as though they were
experiencing the music as though it was the Holocaust. The music that was
performed had strong emotional messages that came across so due to the diction,
strong imagery and sentence structure. Since the music was written to reflect
feelings and experiences of the tragedy, each song exuded raw emotion felt by
those involved.
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